University of Connecticut University of UC Title Fallback Connecticut

VOLUME 4, ISSUE 2

Cinema/Video/New Media

Fall 2000

Guest Co-Editor: Timothy Murray

4.2
Cover photo by Laurent Philippe

Interviews
Jacques Rancière
Michèle Waquant
Paul Virlio

Articles and Essays
Tim Murray
FACING FRENCH DIGITALITY IN THE GLOBAL SPHERE

Samuel Weber
THE VIRTUALITY OF THE MEDIA

Judith Maybe
HENRI-GEORGES CLOUZOT’S LE CORBEAU AND THE CRIMES OF WOMEN

Alec Hargreaves
RESUSCITATING THE FATHER: NEW CINEMATIC REPRESENTATIONS OF THE MAGHREBI MINORITY IN FRANCE

Dominique Bluher
SOUVIENS-TOI DE MOI: A HIP HOP FILM?

Maureen Turim
VIRTUAL DISCOURSES OF HISTORY: COLLAGE, NARRATIVE, OR DOCUMENTS IN CHRIS MARKER’S LEVEL 5

Carina Yervasi
DISLOCATING THE DOMESTIC IN CHANTAL ACKERMAN’S JEANNE DIELMAN

Grace An
PAR-ASIAN SCREEN WOMEN AND FILM IDENTITIES: THE VAMPIRIC IN OLIVIER ASSAYA’S IRMA VEP

Tom Conley
REVAMPING IRMA: IMMODEST REFLECTIONS ON FRENCH CINEMA AND GLOBALIZATION

Reda Bensmaïa
BARTHES/GODARD: L’ESSAI CINÉMATOGRAPHIQUE EST-IL POSSIBLE?

Vanessa Manko
PARADIS: THE TETHERING OF TERPSICHORE AND TECHNOLOGY

Cynthia Marker
SAFI FAYE AND SARAH MALDOROR: CINÉCRIVAINES OF AFRICAN CINEMA

Geneviève Sellier
MASCULINITY AND POLITICS IN NEW WAVE CINEMA

Fiction and Poetry
Benoit Conort
CETTE VIE EST LA NÔTRE

Sandra Moussempes
VESTIGES DE FILLETTE/VESTIGES OF GIRLHOOD

Maurice Dantec
LES RACINES DU MAL/THE ROOTS OF EVIL

Questionnaire

If Cinema can be said to constitute the representational site par excellence of the 20th century, how might you understand its past, present, or future in relation to developments in video and new media?

Scott Durham (BETWEEN THE CINEMATIC AND THE DIGITAL: THE ART OF MODULATION); Juliet Flower MacCanneal; Pierre Levy (RÉFLEXION SUR L’ART ET LES MUSÉES DANS LA NOOSPHÈRE); Laurent Sauerwein (SKIN DEEP); Steven Ungar